Ratapan 2:10

י (Yod)

2:10 The elders of Daughter Zion

sit ¹  on the ground in silence. ² 

They have thrown dirt on their heads;

They have dressed in sackcloth. ³ 

Jerusalem’s young women ⁴  stare down at the ground. ⁵ 

Ratapan 2:18

צ (Tsade)

2:18 Cry out ⁶  from your heart ⁷  to the Lord, ⁸ 

O wall of Daughter Zion! ⁹ 

Make your tears flow like a river

all day and all night long! ¹⁰ 

Do not rest;

do not let your tears ¹¹  stop!

Ratapan 4:21

The Prophet Speaks:

ש (Sin/Shin)

4:21 Rejoice and be glad for now, ¹²  O people of Edom, ¹³ 

who reside in the land of Uz.

But the cup of judgment ¹⁴  will pass ¹⁵  to you also;

you will get drunk and take off your clothes.

[2:10]  ¹ tc Consonantal ישׁבו (yshvy) is vocalized by the MT as יֵשְׁבוּ (yeshvu), Qal imperfect 3rd person masculine plural from יָשַׁב (yashav, “to sit”): “they sit on the ground.” However, the ancient versions (Aramaic Targum, Greek Septuagint, Syriac Peshitta, Latin Vulgate) reflect an alternate vocalization tradition of יָשְׁבוּ (yashvu), Qal imperfect 3rd person masculine plural from שׁוּב (shuv, “to return”): “they return to the ground (= the grave).” The parallelism with the following line favors the MT.

[2:10]  ² tn Heb “they sit on the ground, they are silent.” Based on meter, the two verbs יִדְּמוּ…יֵשְׁבוּ (yeshvu…yidÿmu, “they sit…they are silent”) are in the same half of the line. Joined without a ו (vav) conjunction they form a verbal hendiadys. The first functions in its full verbal sense while the second functions adverbially: “they sit in silence.” The verb יִדְּמוּ (yidÿmu) may mean to be silent or to wail.

[2:10]  ³ tn Heb “they have girded themselves with sackcloth.”

[2:10]  sn Along with putting dirt on one’s head, wearing sackcloth was a sign of mourning.

[2:10]  ⁴ tn Heb “the virgins of Jerusalem.” The term “virgins” is a metonymy of association, standing for single young women who are not yet married. These single women are in grief because their potential suitors have been killed. The elders, old men, and young women function together as a merism for all of the survivors (F. W. Dobbs-Allsopp, Lamentations [IBC], 92).

[2:10]  ⁵ tn Heb “have bowed down their heads to the ground.”

[2:18]  ⁶ tc The MT reads צָעַק לִבָּם אֵל־אֲדֹנָי (tsa’aq libbam el-’adonay, “their heart cried out to the Lord”) which neither matches the second person address characterizing 2:13-19 nor is in close parallel to the rest of verse 18. Since the perfect צָעַק (tsa’aq, “cry out”) is apparently parallel to imperatives, it could be understood as a precative (“let their heart cry out”), although this understanding still has the problem of being in the third person. The BHS editors and many text critics suggest emending the MT צָעַק (tsa’aq), Qal perfect 3rd person masculine singular, to צָעֲקִי (tsa’aqi), Qal imperative 2nd person masculine singular: “Cry out!” This restores a tighter parallelism with the two 2nd person masculine singular imperatives introducing the following lines: הוֹרִידִי (horidi, “Let [your tears] flow down!”) and אַל־תִּתְּנִי (’al-tittni, “Do not allow!”). In such a case, לִבָּם (libbam) must be taken adverbially. For לִבָּם (libbam, “their heart”) see the following note. The adverbial translation loses a potential parallel to the mention of the heart in the next verse. Emending the noun to “your heart” while viewing the verb as a precative perfect would maintain this connection.

[2:18]  ⁷ tn Heb “their heart” or “from the heart.” Many English versions take the ־ם (mem) on לִבָּם (libbam) as the 3rd person masculine plural pronominal suffix: “their heart” (cf. KJV, NASB, NIV, NJPS, CEV). However, others take it as an enclitic or adverbial ending: “from the heart” (cf. RSV, NRSV, TEV, NJPS margin). See T. F. McDaniel, “The Alleged Sumerian Influence upon Lamentations,” VT 18 (1968): 203-4.

[2:18]  ⁸ tc The MT reads אֲדֹנָי (’adonay, “the Lord”) here rather than יהוה (YHWH, “the Lord”). See the tc note at 1:14.

[2:18]  ⁹ tn The wall is a synecdoche of a part standing for the whole city.

[2:18]  ¹⁰ tn Heb “day and night.” The expression “day and night” forms a merism which encompasses everything in between two polar opposites: “from dawn to dusk” or “all day and all night long.”

[2:18]  ¹¹ tn Heb “the daughter of your eye.” The term “eye” functions as a metonymy for “tears” that are produced by the eyes. Jeremiah exhorts personified Jerusalem to cry out to the Lord day and night without ceasing in repentance and genuine sorrow for its sins.

[4:21]  ¹² tn The phrase “for now” is added in the translation to highlight the implied contrast between the present joy of the Gentiles (4:21a) and their future judgment (4:21b).

[4:21]  ¹³ tn Heb “O Daughter of Edom.”

[4:21]  ¹⁴ tn Heb “the cup.” Judgment is often depicted as a cup of wine that God forces a person to drink, causing him to lose consciousness, red wine drooling out of his mouth – resembling corpses lying on the ground as a result of the actual onslaught of the Lord’s judgment. The drunkard will reel and stagger, causing bodily injury to himself – an apt metaphor to describe the devastating effects of God’s judgment. Just as a cup of poison kills all those who are forced to drink it, the cup of God’s wrath destroys all those who must drink it (e.g., Ps 75:9; Isa 51:17, 22; Jer 25:15, 17, 28; 49:12; 51:7; Lam 4:21; Ezek 23:33; Hab 2:16).

[4:21]  ¹⁵ tn The imperfect verb “will pass” may also be a jussive, continuing the element of request, “let the cup pass…”